{"author_name":"Kitch","cat":"LD #26","comments":[],"epoch":1367357820,"likes":2,"metadata":{"p_key":"42924","p_author":"Kitch","p_authorkey":"7470","p_urlkey":"78559","p_title":"# \u2013 A Postmortem","p_cat":"LD #26","p_event":"LD26","p_time":"1367357820","p_likes":"2","p_comments":"0","p_status":"UPD5","us_key":"7470","us_name":"Kitch","us_username":"kitch","event_start":"1366934400","event_key":"16","event_name":"LD26"},"text":"

This was, as always, an absolute blast.\u00a0 I’ve had to miss the last two, due to commitments beyond my control, and last weekend I remembered just how much I’ve missed.<\/p>\n

\"ld26FinalSS3\"<\/a><\/p>\n

# is a game about shooting squares.<\/a>\u00a0 That\u2019s really all there is to it. \u00a0Wait… and sometimes the squares grow back. And sometimes they shoot out at you. \u00a0Oh… and there\u2019s a piano.<\/p>\n

The Theme<\/strong><\/p>\n

We all know the theme.\u00a0 My take on it was more of an aesthetic than a game play one.\u00a0 Soft colors, simple objects, piano music playing simple chords.\u00a0 I think it worked.<\/p>\n

The Gameplay<\/strong><\/p>\n

# was a lot of fun to develop.\u00a0 I had the basic concept in my head prior to the theme being announced, but some of the big mechanics, basically the \u201clayer\u201d shifting and the audio component just sort of happened.<\/p>\n

The layer thing was introduced as sort of a player control mechanic.\u00a0 It is really easy, as was pointed out, to beat the levels by holding the left arrow and space bar.\u00a0 The layers gave the lower squares a fighting chance to get established, as well as forced the player to do something than just \u201csit and spin\u201d.<\/p>\n

\"ld26FinalSS2\"<\/p>\n

The balance however, was off a bit.\u00a0 I initially balanced the game, unaware of a bug that could would make the last square invincible to most, but not all bullets.\u00a0 This made the game considerably harder than it really was.\u00a0\u00a0 When the bug was fixed… the game became super stupid easy.<\/p>\n

I made corrections, but\u00a0didn’t\u00a0get a chance to get back in and really do the balance work the game deserved. \u00a0\u00a0You can eventually get yourself comfortable enough where it\u2019s not frustrating, but probably not in the time the average person plays a LD entry.\u00a0 I tried to make the early levels as accessible as possible, then ramp up the difficulty rather quickly there toward the end for the more interested. \u00a0Not as hard as pre-bug unfortunately… but a decent challenge if the dice don’t roll your way.<\/p>\n

The Graphics<\/strong><\/p>\n

Like I mentioned before, I wanted to go clean and simple, and that\u2019s what I did.\u00a0 Not really a lot to say about it, except I really like the green, and the purple.\u00a0 Red needs work.<\/p>\n

\"ld26FinalSS4\"<\/a><\/p>\n

The Audio<\/strong><\/p>\n

I’ve never been an “audio” guy, and this game has a lot of sound happening really fast, bullets flying, blocks breaking…\u00a0 \u00a0I knew sounds generated by sfxr would have a high potential for ear bleeding (at least the ones I generate).\u00a0 As I was shifting through layers, I thought,\u00a0wouldn’t\u00a0it be cool if the music chords changed when the layer did?<\/p>\n

I jumped into the idea with absolutely no idea how I was going to accomplish it.\u00a0 I almost scrapped the whole thing entirely.\u00a0 I generated a lot of sound files, and tried to tweak them to work with the rapid pace, with ear splitting results.\u00a0 I did, somehow, manage found a bright piano sound that would pass, although not perfect.<\/p>\n

What went right<\/strong><\/p>\n