Hey all

I figure as rules demand I should really (re)present myself and intentions. It’s my first time doing Ludum Dare and it’ll be interesting to see just how much gameplay I can cram into a piece of code within the allotted time – if any.

The game will be Flash-based. I would have considered Flashpunk but I don’t have enough experience with the framework just yet. Instead I’ll be using a custom-fitted version of Flixel which I’ve used with some hibernating projects lying around Github (https://github.com/tellus). While none of them will likely be a basis for the game (actually, I intend on it not to), I’ll most likely draw on a few supporting routines and procedures from the modified Flixel and my support lib tellusLibsAs. As should be obvious by now, all of the code is freely available from Github. Flashdevelop will be the IDE of choice (I’ve fallen in love with that piece of software, delicious) as well as Paint.NET for graphical purposes (I’m spartan… very spartan… basically Spartacus-spartan) and if… when… eventually… sound may be a necessary evil element of the game I think I’ll fall back to something quirky through Audacity. Open-source and freeware throughout.

I’m rooting for a few particularly interesting themes myself (one cannot help but visualise possible ideas already) but let’s see where things head.

Good luck to all and cheers for a great weekend!

Tags: 2D, as3

I was hoping for the given theme to the extent of giving off a hollow and resounding “wooot!” as I read across the lines of my browser.

The theme immediately conjures up two strong elements and lets me segway into a third:

1. If it’s dangerous to go out alone, you’re definitely going out alone. Storytelling genre: horror.
2. “Take this” – obviously, you’re offered something to aid you. Sub-genre: action.

I figured this theme would be an excellent starting point to create a small game that critisizes the over-usage of the zombie theme in games over the past couple of years. In my opinion the commercial PC game market has become just a tad flooded with zombie shooters. Just a tad, mind you. We haven’t quite reached the level of genre-rape that constituted the WWII games of the last decade and the Guitar Hero license misuse of Activision over the last five years, but there are quite a few games with, shall we say, “overlapping” elements?

The third thing that I figured was that the theme itself suggests a caricature of these games, the following of a standardised formula with few to no variations on content to move gameplay out and forwards. This will be a point of contention as well.

The game itself will be very simple, following this genre bastardisation: zombie-runner-ware. Zombies. Runner games (ala Canabalt). And Warioware (heck yeah!).

This, at least, is the current idea. 😛

I guess the professionals would call my approach “waterfall”, although I prefer Terry Pratchetts description of Captain Carrot’s grammar style better. My programming is… ballistic. Kind of like an object-oriented game of whack-a-mole I see something that can be written and I code it.

The basic game concept is simple as can be. The player is a survivor of a zombie holocaust and must find safe haven or other survivors or more supplies or <insert incentive to walk out of the, very safe, safehouse>. To aid in the journey between safehouses, the player is given a single item before they leave the safehouse. This item is random every time and it’s usefulness will probably be debatable at every turn.

From “It’s Dangerous to go Alone! Take this gun!” to “It’s Dangerous to go Alone! Take this horse!” to “It’s Dangerous to go Alone! Take this squeak toy!”, the stage is set for a varied set of happenings.

The game cannot be won, per say. It’s like the typical runner game a question of how far you get before succumbing to <insert obstacle here>.

Alright then, four game state with some very simply defined logic within each. Title state, game over state, level preparation state and level state. The level state itself is a short “runner” style affair with a single item brought along for that one level. The item is randomly generated but has a set type of usage schemes: none, triggered, aimed and a combination of triggered and aimed. Should be easily implemented.

THEN comes art assets, sounds, moohsic and the such.

I’ve set up a Github repository to push the source to once the game is submitted. Speaking of, is it a breach of rules or just slightly stupid to release the code during/immediately after the 48 hours?

It’s hard to get used to the as3 syntax again after several months of C# coding (I really like “int someInt;” above “var someInt:int” – less writing) but I get by. That and for the first time I’m trying to work with collisions in Flixel (or any framework). Takes some getting used to, all that fancy automatic machinery.

I’ve been at work all day so progress is very slow but a lot of the boilerplate base is in place (basic states, base classes, base loops – all the base are belong to me). I would have posted a screenshot, but the only thing I have right now is a stick figure riding a sheep. And unfortunately, he’s “riding” the sheep, not riding the sheep – at least that’s how it looks.

Still, I should have something barebone simple ready by this evening if I can keep the progress up… and then come the art assets. Bah!

Off work in 10, then sushi, then more work.

All the base elements are finally in place. The rest, as they say, is polish and  – well – art assets.

The title screen of ZRW

I think I might actually keep the title image…

Safehouse stage

The basic intentions here are in place. Need polish and flash and pazaz.

The game in action

Again, art is not my forte and the only three things I like about this image are the boards on the window (left – look nice an pixelated), the combination with real-life photos and the absolutely ludicrous notion of riding a sheep through a horde of zombies.

I’ll focus on the four item types, make about 12 different items for starters, and then look into the assets. Finally, code polish.

Buzzing around with collisions continue as I once again fail to present a screenshot that does not contain a person sodomizing a sheep.

I’m adding the protagonists (zombies – who’d have thunk) and smoothing out item code right now. Trying to decide whether to mess around with audio or improve the art. While it may score me a triple smiley in Mrs. Hodgesons’ third graders’ drawing room I can’t see how these drawings are anything but doodles of a seven-year-old.

Tags: sheep

Success! The protagonist has been turned away from his sheep-sodomizing ways and finally rides his trusty steed into – and over – battle.

Made some music in musagin that refuses to export – wasted an hour there, but see where it comes back.

Currently: zombie AI (they need to learn that falling encompasses moving downwards), weapon collisions, cutscene delays and health.

EDIT: Wrong pic.

It’s 6am here, I’ve been up for 24 so far and I have a hardcore intention of dragging along until sometime this evening to get the most out of the time I have.

About half the art is hitting a semi-decent retro style (FlxEmitter for the win!!!99!). I’m actually positively surprised with the animation quality on the few animations.

At this point the todo list is (unfolds napkin):

• The spear item. Collisions seem to be wonky when doing free-form rotations.
• Collisions in general. The hitboxes of zombies are very large and a bit counter-productive.
• Zombie types. There are four and they just need to exhibit proper movement.
• Point system (… I’m thinking “how many different items did you manage to work it with?”)
• Enter/exit cutscenes would be nice to add a bit of flavour.
• Art assets (polishes, improvements and actuals)
• Items (moar items!). The base class is flexible enough to have a relatively easy time of extending to some new uses.

A shoutouted poll, before last: what were the most ludicrous items you recall being proffered throughout your gaming career? Magic, talking swords with an aversion to the number 8, assortments of wines and spirits to “improve your sprirituality” or something even worse?

Finally, I’m impressed with the progress I’ve been able to make myself, but it’s easy to see the veterans at work. They talk of finishing engines and systems within mere hours and constructing what seems like monolithic designs within atomic time frames whilst still maintaining an art level unlike any I’ve seen this side of 6 am. I’ll be pleased if I just submit

There’s really nothing new to show on the screenshots. The devil’s in the details.

Uploaded the demo (so far) here: http://www.j-space.dk/ld20/index.html

It’s a mess compared to many of the other things I’ve seen displayed on the site, but I’m proud of the amount of stuff I’ve produced on my own throughout the weekend. I’ve decided to purchase a drawing tablet for the next compo and practice drawing – I also plan to secure the services (well, availability) of a friend’s recording studio so I can make cleaner sounds.

Criticism is welcome, but will be promptly ignored 😛

Two hours left and I have the choice of either more generic items, more generic phrases, better difficulty increase or better music.

… difficulty, then phrases.

Man, you really get to remove planned features viciously as time runs.

So this was my first Ludum Dare – ever. The only thing I had expected was to have “something that doesn’t crash – and it has a gameover screen” and a funfun time doing it. Largely, this was a succes.

First of, a few things of note about the compo itself. One thing is some of the submissions that are simply astounding for a mere 48 hour project. Several of them are basically “Newgrounds-ready” and with a production value that compares to games with several months of dev time. Being able to launch that much content (and of such a high quality) in so little time is both intimidating and inspiring.

The other thing of particular note to me is the very liberal interpretation of the theme. Being a hardcore rule jockey I intended to infuse my game with every ounce of the theme I could muster, the phrase itself being not only a corner stone but the very pivotal point of the interactive experience. This stands as a stark contrast to by far most of the entries I’ve rated so far (about 70 as of the time of writing). Mostly it was a question of slapping out the phrase within the first 15 seconds or two game screens and just have it done with – then send the player onwards to something else. It strikes me as unfortunate, as I perceived the theme not only to be a loose constriction (and at this point, more a labelling requirement than a constraint at that) but a creative demand on the developers. However, several games managed to use the theme in subtle and unspoken ways. All manner of partnering mechanisms have been displayed in ways I wouldn’t have dared to imagine, and it’s been a thrill to experience an actual interpretation of the theme as a gameplay mechanic more than simply a phrase or a meme. Thank you to those devs for the experience

Now, back to my poor excuse for contemporary satire. As I woke up four hours into the compo and saw the theme I had an instant vision of the game and its purpose. I wanted to expose and criticize the theme as it has manifested itself in modern-day zombie horror games, basically from the transposition “it’s dangerous to go out alone. but I’m not going to go out with you and instead offer you something that may or most likely may not be of any assistance to you in your coming challenges”. Intended as a light-hearted jab at the large body of zombie games I wanted to depict the eternal and largely futile journey of post-apocalyptic survivors in the wasteland. The actual gameplay challenge would lie in very simple mechanics from one round to another against a horde of enemies with no particularly discernable features.

What became my downfall, I think, boils down to experience – pure and simple. I have never constructed a “finished” product before this weekend, and I spent a lot of time getting to know library mechanics of flixel I had never worked with before. I spent time getting to know musagi and sfxr and lost almost an hour of work trying to make musagi export wav files (an issue most likely caused by sound card and driver). Being an incarnated code monkey I live by the addage “content comes later”, constructing frameworks, boilerplate, mechanics and anything that is made with a text editor until I absolutely have to put something into image or sound.

To be fair, though, the final version differed primarily only in content, but I would have liked to do these things:

• More items. Either 12 distinct items with different mechanics or 3-4 base mechanics and a slew of aesthetic variations on them. I ended up with 3 release, 1 coded item. The final item started out as a sparkler (don’t ask), turned into a flamethrower (simpler implementation), finally a stick (even simpler). The stick was basically a burning spear and so I removed it.
• An actual way to die from the challenge, not from boredom.I had planned more zombie types and I would have liked distinct options for defeating each, to make sure the player actually had to think while playing.
• Prettier graphics. All over. 6 hours before deadline I was suddenly struck with a graphical style I could’ve pulled off if I had the time. I had to rely on a mouse and Paint.NET to draw the barebone necessities.
• A more solid soundtrack. I wanted to make a single ambient musical soundscape underlying the complete game, while subtracks would play within each game state to underline their purpose. I simply didn’t have the time or skill to compose something that could have done it properly.

In the end, however, I’m satisfied with myself, and I’ll prepare better next time. Buy a drawing tablet, have all the necessary software installed beforehand and spend weekends up to the compo running drills to prep myself.

Now then, I’d better get back to enjoying the other entries. I’ve been laughing steadily the past two hours over one entry or the other and there seems to be no end in sight

I doubt I was the only one to break out in a small private karaoke concert when the MiniLD theme was announced. War followed by Cannon Fodder (in all fairness in this version by Press Play On tape). Closely behind followed Fortunate Son. Had this been a true LD these songs would be playing in non-stop repeat. Seeing as how I’ve got more than just the 48 hours, I fear for my sanity should I keep the music running.

Regardless, the music gripped me instantly and tossed me back to what I consider the epitome of W*A*R – Vietnam. The satire of Cannon Fodder and the udder foolishness expressed by both Edwin Starr and Credence Clearwater Revival (henseforth CCR) easily sets the stage for war gone wrong. Beyond this, I’ve had a notion of fiddling with games that work heavily with music. Trying to merge the two has given me three options:

1. Guitar Hero Vietnam (meh)
2. ReZ vietnam (still meh)
3. Compose-a-war (yeh!)

I’m going with the final one. In principle, I’m aiming for an RTS-puzzle hybrid that relies heavily on the rhythm of the music as queues to the player on how to react to enemy movements. This requires some intriguing features not innately accessible in the engine of choice, most notably a run-time dynamic music tracker. Fun fun!

Anyway, to summarize my tools du jour:

Language: AS3

Engine: Flashpunk (custom version integrating RichardMarks’ sound mixer and a few custom fixes)

Sound: sfxr

Music: Pure code (rhythms tested in Musagi and MODPlug Tracker, samples created with sfxr or my vocal cords)

Graphics: Paint.NET

Others: tellusLibsAS, a modest helper library publicly available on Github.

Break a leg, everyone!

Tags: as3, flash, music, sfxr

So the tentative title is WarBeats and is hitting the borderline between games like Rez (where the music reacts to the player’s actions) and Guitar Hero (where timing is key to high scores).

I’ve narrowed down the actual design and working on putting the pieces together. Three to four weapons are used to destroy the same amount of enemy types. Firing and destroying generates musical queues, while the marching army generates a constant beat to the music. They fire automatically, my intention being that the rifle shots are the central melody of the composition. So, beat (marching), tune (rifles), incidental rhythm (player actions). It either becomes sweet music or bitter cacophony. I’m too far now to turn it any other way 😛

I’m piecing together standard parts right now, trying to ignore the really tough features. I’ve figured out a model for the music sequencer that should (hopefully) minimize delay between synchronized musical samples to a very small millisecond count, but coupling this with movement of spawned enemies to the rhythm is quite a different beast.

Fun fun.

Tags: as3, flash, screenshot

I have serious doubts as to whether I’ll reach my goal during this miniLD. While my initial ideas were interesting the fun factor would be very circumstantial.

I’ve reached a point where I know what needs doing and most of it is cleaning up code in aggregate classes, art assets and sound. Sound is my enemy, and unfortunately such a central part of the game, still. Luckily, I “only” need to make a single music track with four or five instruments (reason pending) for a single level of gameplay, maybe 3 minutes or so.

I have just under 23 hours to finish this thing. Let’s get crunchin’

As the screenshot hopefully implies, it’s still a chaotic mess. Maybe I should add five pixels worth of depth?

And I’ll send a video Sos’ way once my sinusitis clears.

I’ve grown fond of Flashpunk over Flixel through the past few months, so that’s the targetted platform this time, together with whatever scrap code is lying in my public Github repos.

Music will be a nice change. I’ll try and apply my newly-acquired Yamaha keyboard to a more audibly pleasant experience. If I can bend OpenMPT or another tracker to my will (any clues on how to record note length, intervals between notes and chords in a tracker without it just mashing it together in a single pattern?) then that’s the plan. If not I’ll use the excellent Musagi.

I won’t make it before the compo, but I would like to make a very small boilerplate lib with various Flashpunk-based classes for rudimentary visual stuff like title and game over screens, tooltips and dialogue boxes. So wasteful to redo those horribly redundant things every time.

Tags: LD21

I gotta say the theme hit me just a tad on the wrong side of mind. I’ve had a single idea running through my head that has connotations with several of the like-minded themes that were in the running – in particular criminals, thieves and finally escape. I really wanted to hit something within personal, intimate domains, but despite a lifetime of stories and experiences that would be phenomenal to present through an interactive medium, I simply couldn’t conjure mechanics that would convey it properly. Instead I’m gunning for what runs within the story of criminals and thieves, but with the purpose of escape – I hope it’ll run sufficiently within the theme for people’s liking

Anyway, I’ve been fighting with collision detection and vector transformations in FlashPunk (which I haven’t done before) – in retrospect a needless problem if I’d worked within those domains prior to the compo. This time around I’m focusing more on mechanics and much less on visuals. I’ll try and get by with a mix of minimal-frame 16-bit style character images in key places and let all actual interactive gameplay happen with bright colours and primitive shapes to make it easier to follow.

Although the design doc has about 7 distinct levels of gameplay types, I’m hoping to finish at least 3 (and an intro) within the weekend.

Here’s an alpha pick from the first gameplay section, tentatively titled “Hiding the Evidence”. A few debug sprites in there (if you can spot them). Ignore ’em.

Seeing as how I’m taking a short break (enjoying some three-year old curry soup; still good) and blogs are possible again, I thought I’d apprise the few interested parties as to my progress.

Yesterday I set a goal to get 70% of the game logic in place before going to bed. I’d say I hit that milestone, despite tons of trouble with collisions and camera issues (I’m entirely at fault, naturally). Currently, I’m cleaning up the remaining interactive parts of the game and I hope to have all cutscenes drawn and coded by midnight (local time, GMT+1). The remaining time will hopefully pass with voice work and music.

I like where the game is headed, it’s actually trying to tell a story. Now I just hope the rest of you see that as well 😛

After a winter hiatus I’ll be tossing my lot in, once again. Hopefully, I’ll be able to put in a fuller soundscape than some random piano chords and longwinded soliloquies, perhaps even art that doesn’t look like a 3-year-old’s entry into the local Mommy Fridge gallery.

Tools, once more, of the following:

• Flashpunk (aided by Flashdevelop)
• tellusLibsAS – a home-rolled set of helper functions for small tasks.
• Paint.NET for the needs.
• Musagi, sfxr and possibly Audacity for the audio stuff.
• Chronolapse

I had hoped to garner sufficient proficiency with a C++ lib to shift platforms, but alas I must hold myself to the excellent product of Chevy Ray instead.

I won’t be joining my kinsmen in Copenhagen, instead withdrawing to the outer regions of Aalborg of the northwest, possibly with a few like-minded fellows.

Tiny Worlds… not my favourite of the mix, but many of the top contenders throughout the week shared several connotations in my mind.

Artificial Life, Tiny Worlds, Build it then use it…. it brings to mind the microcosms depicted in The Genesis Tub, Parasites Lost and The Invaders, to name a few (actually, I think the Twilight Zone had many such stories).

I wanted to try and convey a message with my game this time around, partially an homage to deepnight’s entry back in ld20, partially a personal desire to work on the emotional level. I was hoping for a theme that would let me bring around the tragedies of personal experiences, but Tiny Worlds could work too.

In the best style of megalomaniacs and people who have no idea how little they can achieve over the span of 48 hours, I want to try my hand at a god game. I want to focus much more on the world itself than Populous or Black & White, bringing it a bit in line with Ubisoft’s From Dust. Go a step further than micromanagement. I want the goal to be constant and greater praise from your followers, achieving this through a combination of blessings and curses (who believes in an ever lenient god? And, conversely, who would want to believe in an ever-terrifying demon?) that come in the form of shaping the things in the world. Are people starving? Bless them with a new growable crop with greater nutritional value or a new animal species. Have they grown fat, decadent? Create a plague to either reduce the population or the crops – or both!

Bear in mind this is all just 90 minutes into the compo (eh, make that 86 minutes), so I’ve got pen and paper lying everywhere trying to create a proper model for all of this.

The first game pic is simply 20 procedurally generated humans chasing the cursor. The graphics style is however quite telling at this point. Tiny World, Tiny People – Atari style!

Alpha test of sheeple.

So I figured out a consumption model for the world, which is about a third of what needs to be sorted before implementation.

Consider the world, all of existance, a zero-sum game. When something is consumed, something else is produced. Not everyone would agree that the product is always desirable, but it’s there, none the less. Using this assumption, consider all entities in the world a combined consumer and producer. A farmer produces wheat and consumes foodstuffs (for example wheat). When he consumes food, he regains energy which is depleted when producing more wheat.

This results in a cycle slightly more complex than the one depicted above, but it conveys the thought. Wheat produces something that has, among other things, a nutritional value (it also has health benefits and can make you fat). The farmer will consume and the changes brought on by the nutrition will be applied to the farmer.

Beyond this I need to figure out a simplified “belief” model so you as a player have an active stake in the game. I’m thinking something in the lines of “do nothing or be monotonous and lose faith”. It’s very simple, yes, but hopefully the overall management will be so abundant that striking the balance will be difficult.

Finally, I need to implement AI in the form of intelligent agents, self-managing entities within the game world. People need goals they want to achieve, split up into smaller tasks that will achieve that goal (for example, having children means getting a spouse and having the energy to handle them). I want to put in a bit of learning behaviour, so they can appreciate a sudden appearance of wheat from above.

Now, enjoy a screenshot that is almost like the original one, only this time all people are rendered properly (an out-of-bounds error was not being cast in the previous build). Notice their three-layer appearance. The top colour shows their race, the torso their job and the leggings their sex (male/female). I hope to make sufficiently clear colours to make it clear what kind of people you’re dealing with.